My work uses a single pure jar form as a canvas to map my observations from an ongoing study of my surroundings. I incorporate stone and locally dug clay into my work to create a narrative, one that conveys a unique sense of place. The unpredictable nature of each jar comes from the inclusions and their metamorphosis during firing. This individuality and tension between materials speaks of the human condition and how the landscape shapes us as individuals.
Landscapes have inspired artists for generations but for me a landscape has to be felt. To depict it is always going to fall short. I was inspired by archaeological theories that the Menhirs of prehistory are a veneration of the landscapes that surrounds them. With my site-specific work I too am venerating the landscape. By placing a Jar at a particular location within the landscape I hope that it will make us look beyond the object to its surroundings.
My work is also about change, about natural cycles and the transience of human endeavor. Part of my ‘Earth to Earth’ project is to illustrate one cycle as a metaphor for all. I placed a raw, unfired Jar at the top of Carn Treliwyd in Pembrokeshire. Made from the earth; the wind and rain will return it back to the earth. Clay in turn is created from the weathering of igneous rocks upon which this unfired Jar stands.
Paths are a motif I use to represent my actual and metaphoric journeys through a place. To understand a landscape is to move through it, to give it context. Paths are like common routes of experience, guiding us through the landscape. They are connections through time, to others and to the land. Ultimately my work is about being present within a landscape.